The Mirror of Time and Memory. :: Essays Papers

The Mirror of Time and Memory.Live in the house-and the house pull up stakes stand.I will call up any century, Go into it and build myself a houseWith shoulder blades like timber propsI help up every(prenominal) day that made the bygone,With a surveyors chain I measure timeAnd traveled through as if across the Urals.I only wish my immortalityFor my blood to go on flowing from age to age.I would readily pay with my lifeFor a safe place with constant warmthWere it non that lifes flying needle leads me on Through the world like a thread.Arseniy TarkovskyThe films of Andrey Arsenevitch Tarkovsky fall into the separate genre of cinematic creations they are much than drama or psychological thriller, more than philosophical cinema. Although Tarkovskys work has been deeply influenced with such prominent film directors as Kurosawa, Bunuel or Antonioni, the poetry of his father, Arseniy Tarkovsky, Boris Pasternak and many an(prenominal) other Russian poets and writers, his films manage to form something completely unique to the mind of their director, convey a diaphanous psychological message. His cinematography is a celebration, a dramatic art of imprinted time, trapped with the skillful techniques of the plot-creating and camera usage of the director. As if in the Zone of his Staler the art of Andrey Tarkovsky freezes the moment, the gasp of time, enclosed into almost sculpture-like solid creation that opens up to the witnesser its nostalgic breeze. The time exists, it crystallizes in form of faerie, elfish arabesque figures and characters and yet it evaporates filling the space with a sense of solitude and sorrow for the past.Tarkovskys film Zerkalo or otherwise known as Mirror is a story of the human life it is not quite a celebration of it but rather a depiction of the web of the human senses. It is an autobiographic tribute to his abandoned by her husband during the war years mother, filled with the feelings of grief and amusement with her zealous se lflessness for the sake of her children. The narrator, or perhaps Tarkovsky himself, is trying to appease his guilty with indifference and scorn conscience with the memories of his childhood and attempts to relive or even incarnate the experiences of his past. The problems of the past are reflected and repeated in the present. Remembering Proust, Tarkovsky describes the effect of finishing Mirror Childhood memories which for years had given me no peace suddenly vanished, as if they had liquefied away, and at last I stopped dreaming about the house where I had lived so many years before .